Casting for Life in Fiction
For this series, I spent several months auditioning actors to portray members of my family. Each casting decision was based not only on physicality but on a kind of intangible familiarity. For the audition, I dressed them in clothing from my childhood, styled wigs to replicate their hairstyles from that time and used period jewelry and props to complete each transformation. I wanted to fully see them as my family. The performance itself is central to this work—not just in the actors’ embodiment , but in my own role as an unreliable narrator. The images produced are not reenactments, they are misrememberings, performances of memory filtered through time, subjectivity, and emotional projection.